Homecoming (Simon Armitage)

Think, two things on their own and both at once.

The first, that exercise in trust, where those in front

stand with their arms spread wide and free-fall

backwards, blind, and those behind take all the weight.

 

The second, one canary-yellow cotton jacket

on a cloakroom floor, uncoupled from its hook,

becoming scuffed and blackened underfoot. Back home

the very model of a model of a mother, yours, puts

two and two together, makes a proper fist of it

and points the finger. Temper, temper. Questions

in the house. You seeing red. Blue murder. Bed.

 

Then midnight when you slip the latch and sneak

no further than the phonebox at the corner of the street;

I'm waiting by the phone, although it doesn't ring

because it's sixteen years or so before we'll meet.

Retrace that walk towards the garden gate; in silhouette

a father figure waits there, wants to set things straight.

 

These ribs are pleats or seams. These arms are sleeves.

These fingertips are buttons, or these hands can fold

into a clasp, or else these fingers make a zip

or buckle, you say which. Step backwards into it

and try the same canary-yellow cotton jacket, there

like this, for size again. It still fits.

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