How to Analyse an E-Mail
- How are the style and tone appropriate to audience/participants, purpose and context?
- How are the linguistic choices appropriate to audience / participants, purpose and context?
- What do these features reveal about sender / recipient / social or technological context?
Graphological features
- Parenthesis (brackets)
- Voice accentuation – caps, asterisks etc
- Trailers (…….)
- Emoticons :-)
- Exclamations
- Punctuation (both standard and non-standard use)
Spelling variation
- Salient (prominent) sounds (people – ppl)
- Grapheme/phoneme omission (all – al; going – goin)
- Colloquial phonetics (with – wiv)
- Phonetic spelling (should – shud)
Lexis / Semantics
- New compounds/blends (Are you alright - yalrite)
- Clipping/shortening (soz – sorry)
- Acronyms/initialisms (oh my god – omg)
- Alpha-numeric combinations / Homophones (great – gr8)
- Specialised language
- Formal/informal language
- Semantic fields, coinage
- Taboo
- Irony, euphemism, ambiguity, humour
Grammar
- Ellipsis
- Compounds/ sentence complexity
- Use of modals
- Use of adverbials/adjectives
- Verb/noun types
- Tenses
Discourse
- Including relationship to other texts (i.e. the fact that this is an email influences the discourse because…)
- Openings & closings
- Modes of address
- Topic change
- Dyadic (between 2 people) or group postings
Pragmatics
- Context
- Relationship between participants
- Shared understanding/values
Phonology
- Contractions
- Elision
- Prosody
- Influence of spoken language features (hesitation indicators, stress)
Electronic / technological dimensions
- Constraints of text entry/speed of composition
- Electronic advantages (affordances)
- Editing options
- Expectations of time delays
- Intended and unintended consequences
- Conventions of the genre.
Category