Form and Structure (Blood Brothers)

This section looks at the form and structure of the play Blood Brothers by Willy Russell.

Form

Blood Brothers, a musical play interwoven with songs integral to its narrative progression, utilises music as a vital component throughout its performance.

As a theatrical production, Blood Brothers is designed to be experienced both visually and audibly. The script consists of dialogue interspersed with stage directions and designated songs allocated to specific characters at various junctures.

The songs within Blood Brothers serve multiple functions: they provide insight into characters' innermost thoughts and emotions, reinforce pivotal themes and motifs, establish mood and ambiance, and advance the plot by elucidating elements of the storyline.

Close attention to the song lyrics while reading the play proves essential, as they offer valuable insights into characters and plot developments. Additionally, the stage directions play a significant role, delineating character behaviour and interactions while guiding key plot developments orchestrated by willy Russell.

Structural Elements in Blood Brothers

Blood Brothers follows a structured format divided into two acts, each serving distinct narrative purposes.

The first act commences in the early 1960s, predating the birth of the twins, Mickey and Edward, and progresses seven years forward to their childhood encounter. Subsequently, the second act picks up as Mickey and Edward transition into their teenage years, navigating through adulthood. Significant time intervals are condensed to spotlight pivotal moments in the twins' lives.

Except for the opening scene, the play unfolds in a chronological fashion. Initially, the audience is confronted with the sight of Mickey and Edward's lifeless bodies, accompanied by the Narrator's revelation of their fraternal connection and demise. Act one delves into the circumstances leading to the twins' separation and contrasts their upbringing, eliciting empathy for Mrs. Johnstone amidst her struggles. Act one concludes optimistically with the uplifting melody of "Oh Bright New Day," symbolising hope as the family embarks on a new chapter in the countryside.

The onset of act two mirrors this optimism, portraying the Johnstone family's improved state in their new environment. However, the tone shifts as the narrative progresses, evolving into a series of tragic events culminating in the demise of Mickey and Edward.

Throughout both acts, Russell employs songs to bridge temporal gaps and convey contextual information. For instance, the Summer Sequence in act two chronicles the evolution of Mickey, Edward, and Linda's friendship from adolescence to adulthood. Additionally, songs such as "Marilyn Monroe," performed by Mrs. Johnstone in act one, serve as retrospective reflections, shedding light on her past experiences before her husband's departure.