Other Characters (The Tempest)

Alonso (Court Character)

  • King of Naples.
  • Is remorseful and wants forgiveness for his many sins, and even contemplates suicide for the crimes he has committed against Prospero.
  • He inspires others and has many devoted followers.
  • gentle character, he spends most of the play sad and depressed as he fears he has lost his son in the storm.
  • Tired of Antonio and Sebastian’s continual sarcasm he is a serious character.

 

 

Antonio (Court Character)

  • Aggressive and unpleasant to almost everyone except Sebastian who is his close friend.
  • Plots the death of Alonso, desperate for power and control.
  • Ambition is his downfall according to Prospero, who calls him a traitor.

 

 

 

Ariel (Earth and Air Character)

  • The spirit of the air, under the complete control of Prospero.
  • Rescued from slavery by Prospero (ironic as he treats Ariel like a slave).
  • Obedient servant, he does as Prospero asks.
  • Refers to the elements air, earth, water and fire.
  • Can take on many shapes such as a Harpy, hounds and uses many voices.
  • Light and of the air.
  • Seems unhappy to be working for Prospero “is there more toil”.
  • Helps in the punishment and education of the other characters.
  • Often uses poetry to speak, showing his light nature.
  • Ariel is loyal. He states to Prospero that ‘…I have done thee worthy service / Told thee no lies, made no mistakings, serv’d / Without grudge or grumblings.’
  • One role he performs in the play is to provide music.

 

 

Ferdinand (Court Character)

  • Alonso’s son, Miranda falls in love with him.
  • The romantic interest.
  • He is a gentle character, a positive figure.
  • A man of honour and courage.
  • Miranda is impressed with his good looks and falls for him on first sight.
  • He is moved when Miranda tries to help him share his labour but will not allow her to suffer, and he is happy to give up his inheritance, the throne, for her.
  • Loves his father and grieves when he dies.
  • Sincerely loves Miranda and the marriage resolves the conflict in the play.

Gonzalo (Court Character)

  • Knowledgeable, loyal and old.
  • Sensible, wise and holy.
  • positive thinker in times of despair.
  • Has a vision of the perfect world.
  • Rescues Prospero and also Alonso from the evil clutches of Antonio and Sebastian.
  • Prospero calls him: ‘Holy Gonzalo, honourable man’ showing his truly good nature.

Miranda

  • Prospero’s daughter.
  • ‘Admired Miranda’ is the only woman in the play and as the name suggests, she symbolises beauty, modesty and innocence.
  • She sympathises with the suffering of others, all except Caliban who had tried to rape her.
  • She falls in love with Ferdinand, at first sight and this highlights her simplicity and uncomplicated nature.
  • She has not seen anyone else other than Prospero and Caliban and finds the others fascinating.
  • A gentle and caring character, she seems genuinely concerned for the welfare of those on the ship.
  • She trusts her father and doesn’t ask questions.
  • “O brave new world that has such people in’t” expresses best her innocence and naivety.
  • She agrees to marry Ferdinand and is sorry he has to go through such pain to show his love for her.

Sebastian (Court Character)

 

  • Aggressive, insulting and sarcastic.
  • Jokes at others expense.
  • He is racist.
  •  Follows Antonio and will do all he can to support him.

 

 

Stephano

 

 

 

 

  • Lacks intelligence.
  • Plays on physical comedy of drunkenness, bawdy humour.
  • Caliban ends up being frustrated by their inept attempts to overthrow Prospero.
  • Rude jokes and comments made would have provided the audience with humour and light relief.
  • coward and easily scared when it matters most.

Trinculo

  • Drunken and foolish.
  • Uses prose to speak to show his low status.
  • Abuses Caliban, but a coward when pushed.

 

Together, Stephano and Trinculo provide the main comedy of the play:

  • They speak in prose which is indicative of their character and status
  • Both are greedy and seek to manipulate Caliban for material gain.
  • They represent the destructive nature of colonialism.

 

 

 

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DMU Year 13
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